He kept hoping the war would end. Kiowa comes back later tells O'Brien it's a war and he had no choice. Analysis The central theme of this vignette is time. It also details some of his hopes and ambitions. The main image in this story is the star-shaped wound.
It becomes clear that this is the description of the man that O'Brien killed—if not already evident from the title. For the author, though, any perspective that he now has is lost in the telling of the tale, and the confusion and fear that he felt as a soldier then is intimately entangled with the regret and embarrassment he now feels through reflection.
Around his family he pretended to be brave and that he looked forward to fulfilling his patriotic duty, but he prayed with his mother every night that the war would end.
However, the man does not feel this way, and must suppress these emotions in fear of disgracing himself. The war has deemed this behavior as acceptable.
Men in Vietnam would have to join because to be able to defend their land was thought of as the highest privilege for man. However, this chapter focuses on trauma experienced by a person directly responsible for death, such as Tim.
Tim also refuses to talk to Kiowa and fabricates a narrative that reflects elements of his life for the soldier which further reveals the trauma he suffers and the shrinkage of his social horizon Shay This is yet another way O'Brien makes the Vietnam War more personal than historical or political.
He recalls being terrified, and that his action was automatic, not political and not personal. Most of all, he was afraid of being a disgrace to himself, his family, and his village. Kiowa is more sympathetic, offering textbook comments, such as switching places with the dead man and that he would have been killed anyway, in order to console "O'Brien" whom he believes regrets his action.
He never says a word throughout the story. Much of what O'Brien describes is formulaic, such as not feeling hate, acting on instinct, feelings of regret afterwards, and moral confusion that lingers.
He keeps repeating this, and urges O'Brien to stop staring at the corpse of the man he killed. His response is to lie to her and to wait until writing this vignette to undo that lie.
In this way, he's not completely dead. He is as unsure now as then, and even though he acted more out of instinct when he lobbed the grenade and insists that he did not ponder "morality or politics or military duty," his reevaluation now forces O'Brien to reckon his action against those gauges.
It is surely no coincidence that the star-shaped wound is on the soldier's eye, for it is with the eyes that men both gaze upon the stars and see the approaching enemy. He will step out from the fog in the morning and O'Brien will see The Vietnamese soldier obviously did not see the danger he was in; perhaps he was gazing more upon the stars, upon his future, than on his present situation.
The man could never fight his bullies, though he wanted to, and this made him feel ashamed. He had accepted this. Kiowa tells O'Brien that he seems like he's looking better. He tries to comprehend what he had just done by relating the death of the man by comparing it to objects or things that add a more fantastical dissection of the death.
The young dead man was about twenty, and he lay with a leg beneath him, his jaw in his throat, an inexpressive face, and a star-shaped hole in one eye.
His shock is all that we can really know, expressed through his silence. In this story, O'Brien changes the meaning of looking to the future and the hopefulness of the star through his use of this image.
In his last year at university he fell in love with a girl who liked him back. O'Brien keeps staring at the body and describes the wounds on the dead man 's corpse, he notes a gold ring on his right hand.
The man accepted, but he secretly was scared because he wasn't a fighter. He notes the man had feared being a bad soldier—didn't want to be a soldier—he had worried about it even as a boy growing up.
O'Brien's reiteration of these invented qualities gives the man he killed an eternal space in the world of the story. The truth of the fallen soldier is left up to the reader. The war, he knew, would finally take him, but for the time being, he would not let himself think about it.
The strength of similarities he sees between the dead man and himself are amplified: Glossary Trung sisters d. The man must appear to appreciate his role in the war when he is with male relatives; men would stereotypically be appreciative of their role in a war to uphold their honor.
He enjoyed books, wanted to teach math. The other was a star-shaped hole. Free Essay: The Man I Killed in The Things They Carried Much can be interpreted by what people write.
The great thing about interpretations is that different. In the story “The Man Killed” By Tim O’Brien, the narrator stares in silence at the man he has just murdered.
He imagines all sorts of things and describes every part of him, from the blood running out of his wounds to his dainty long fingers.
The lesson that comes with this assessment, The Things They Carried, 'The Man I Killed': Chapter 12 Summary, will help you improve your understanding of: Tim's back story for the man he killed. Kiowa tells O'Brien that they all had the young man in their sights, that it's only chance that Tim is the one who got him first.
The young man had only been a soldier for a day. O'Brien is sure. Notes and Quotes from "The Man I Killed" and "Ambush" from Tim O'Brien's "The Things They Carried". LitCharts assigns a color and icon to each theme in The Things They Carried, which you can use to track the themes throughout the work.
French, Kathleen. "The Things They Carried The Man I Killed." LitCharts. LitCharts LLC, 17 Sep Web. 4 Nov .The man killed the things they